Normally New House is a picture of quiet and calm.
There are no main roads, railway lines, airports, bus routes, or anything noisy much at all at How Caple Court. Herefordshire is Britain's most sparsely populated county, and we're probably in the quietest thick of it. The nosiest things are the peacocks.
But this week things have changed.
Trenches are being dug everywhere, and there's mud and stone and up-rooted turf all over the place, as deep ditches link each building, as the Court gets a state-of-the-art sustainable heating system.
A giant ultra-modern wood-burning boiler is being constructed in one of the buildings, with hot-water pipes laid underground.
The idea is that the estate is surrounded by woodlands, so in place of imported oil, this home-grown wood can sustainably provide our future heating.
Tuesday, 26 June 2012
Tuesday, 15 May 2012
Woopee - a new camera
At last we've invested in a new camera - a Canon 600D and 430xII flashgun with a new tripod.
We've been working with an old Panasonic Lumix inherited from my amazing Great-Uncle Vic - a clever electrical engineer who moved to Cowes IOW to work on flying-boats and hovercraft. He loved electrical gadgets to the end, but never left the IOW. So I take his old camera with me on my travels, hoping and believing he'll somehow get to see the places I visit.
The 600D may not be high in the Canon range, but after using point-and-shoot cameras for a few years, I'd forgotten how complex a proper SLR can be. It's a bit of a shocker to have a War-and-Peace-thick manual and to think about ISO settings, white-balance, what's the aperture up to and do I save to RAW or a jpeg?
I began my photographic career at 10 with an old Olympus PEN half-frame that gave me good results. School taught me how to use a darkroom, so I then bought a second-hand Canon FTb. I'd loved to have met the incredible japanese designers that created this camera - I dropped it down ravenes and took it all over the world with me, and now have an amazing archive of B & W photos. I graduated to an Olympus OM-2, who has been my faithful friend ever since. I even took it to Iran with me 2 years ago :
New House bought this camera to take white-background shots for our website - and it'll be fun expermenting!
We've been working with an old Panasonic Lumix inherited from my amazing Great-Uncle Vic - a clever electrical engineer who moved to Cowes IOW to work on flying-boats and hovercraft. He loved electrical gadgets to the end, but never left the IOW. So I take his old camera with me on my travels, hoping and believing he'll somehow get to see the places I visit.
The 600D may not be high in the Canon range, but after using point-and-shoot cameras for a few years, I'd forgotten how complex a proper SLR can be. It's a bit of a shocker to have a War-and-Peace-thick manual and to think about ISO settings, white-balance, what's the aperture up to and do I save to RAW or a jpeg?
I began my photographic career at 10 with an old Olympus PEN half-frame that gave me good results. School taught me how to use a darkroom, so I then bought a second-hand Canon FTb. I'd loved to have met the incredible japanese designers that created this camera - I dropped it down ravenes and took it all over the world with me, and now have an amazing archive of B & W photos. I graduated to an Olympus OM-2, who has been my faithful friend ever since. I even took it to Iran with me 2 years ago :
Since getting the new Canon 600D I've been wandering round the village, finding out how to use it. So far it seems pretty amazing
New House bought this camera to take white-background shots for our website - and it'll be fun expermenting!
Sunday, 15 April 2012
Paint it black
Or any other colour we can think of...
Our new blind accessory collection (launching - this Summer) is going all colourful, and it's great having such a brilliant local paint company just 7 mile away in Ledbury, Cleftbridge Coatings.
New House has the environment and localism embedded into it, so why use some producer 1000's of miles away, when there are fantastic skills already on your doorstep?
Sometimes our 'made in England' policy does make our products appear more expensive, but New House has many fans overseas, so we must be doing something right!
Our new blind accessory collection (launching - this Summer) is going all colourful, and it's great having such a brilliant local paint company just 7 mile away in Ledbury, Cleftbridge Coatings.
New House has the environment and localism embedded into it, so why use some producer 1000's of miles away, when there are fantastic skills already on your doorstep?
Sometimes our 'made in England' policy does make our products appear more expensive, but New House has many fans overseas, so we must be doing something right!
test colours
each colour is primed, sanded, primed and sanded again, and then sprayed it's final colour
Laura Fletcher looks into the future....
Laura Fletcher is New House's amazing weave designer and also in charge of our new roller blind accessory collection. She is also our trend expert.
Most of New House's collections usually last 3 years, so whatever we're doing, we often ask Laura to create a few mood boards. Our major work this year is our new roller blind and accessory collection, so Laura has made mood boards for the mid-point of these collections, which is Autumn/Winter 2013 - 14 :
Most of New House's collections usually last 3 years, so whatever we're doing, we often ask Laura to create a few mood boards. Our major work this year is our new roller blind and accessory collection, so Laura has made mood boards for the mid-point of these collections, which is Autumn/Winter 2013 - 14 :
Precious Cosmos : Inspiration is drawn from the surfaces and textures of the
moon and our solar system. A new play on light and dark shades and a theme that
is both striking and dramatic.
Colour Dark shimmering tones of midnight blue and sepia are
lightened against smoky greys, copper and sea grass. A timeless palette between
shadow and light.

Rustic Retreat : Natural materials
are enriched with luscious yarns and landscapes, creating a mood of warmth and
comfort. The mood creates a fun, relaxed and simple atmosphere for everyday living.
Colour A collection of
comforting, mid tone colours, honey and oat tones mix with candied lime, zesty
coral and warm orange.
Tender Escape : A soft elegant
mood that takes its inspiration from the wintery shapes of nature. Think of
bare trees creating intricate lace-like patterns against the sky or crisp,
frost-covered foliage. Combine these motifs with ultra soft yarns and fur to
create a look of understated luxury. A mood to cocoon yourself in
Colour A muted palette of
vegetal soft greys and taupes that have faded with time. Pigments of tea
stained neutrals are used with mink, washed sand and limestone greys.
Tuesday, 10 April 2012
Charlotte's first solo show
Charlotte Farmer is one of our star designers, and everytime she draws something I smile.
If you're in Bath anytime between 7th and 25th April, can I suggest you visit the Rostra Gallery
Charlotte is the best illustrator I know - so check out her show!
If you're in Bath anytime between 7th and 25th April, can I suggest you visit the Rostra Gallery
Charlotte is the best illustrator I know - so check out her show!
Wednesday, 21 March 2012
Our new light tent
We've had fun at New House today with our new toy - a 'light tent'. It looks like something left over from Chernobyl, or a place of retreat if the Black Death ever returned.
However it's a pretty straight-forward bit of kit - a white fabric box that diffuses spot lights, and makes taking 'white-background' shots easy. David Bailey and Cecil Beaton would run a mile, but it's amazing how important these shots are these days. You see white-background shots (or cut-outs) everywhere, and magazines love them for their new product pages. These are a few of our first attempts....
our new Diamond Jubilee mug
Diamond Jubilee souvenir mug and tea towel set
Diamond Jubilee souvenir WOOF mug and tea towel
Stack of Diamond Jubilee WOOF mugs
Looks like I need a bit of practice to get this thing right.... it's all to do with light balance and exciting things like that.
Wednesday, 7 March 2012
Mercedes Museum, Stuttgart
Visiting a prosperous, well-ordered German City is always great, so I skipped the odd afternoon at the R & T exhibition to explore Stuttgart.
It was lovely to sit in the sun, eating apfelstrdel in the Schloss area, and I also visited the Mercedes Museaum. In truth, I've never been that interested in cars, but my mum loves her little A-Class, and Mercedes are an icon of engineering and design.

The museum is pretty amazing (the photo above is not mine, but the rest are). I loved the elevators, that were something from a Fritz Lang film
the first motorcycle
It was lovely to sit in the sun, eating apfelstrdel in the Schloss area, and I also visited the Mercedes Museaum. In truth, I've never been that interested in cars, but my mum loves her little A-Class, and Mercedes are an icon of engineering and design.

The museum is pretty amazing (the photo above is not mine, but the rest are). I loved the elevators, that were something from a Fritz Lang film
the first engine
the first carsthe first motorcycle
and the early Merc's
The fantastic supercharged cars of the '20's & 30'S
The aero engines of the 40's (sorry, but I took no pictures)... but I did take a pic of this cute 50's van
The gull-wing 60's and the 'bad guys'car
In the 70's, I vagely remember the most glamorous of my parents friends driving one of these 'pagoda roof' Merc's
I had a go in the race simulator, and couldn't stop laughing
as I skid through turns in a 30's Silver Arrow racer, or had a go round
Monte Carlo in an F1 car. Two people sit in the simulator, and my companion
turned out to be a good German gentleman who'd raced Porsche’s round Le Mans (I apologised for
my bad driving).
When my dad was 5yrs old, he remembers that his dad took him to a race meeting where he saw the 1936 Mercedes and Auto-Unions cream the old-fashioned British cars. These cars are in the museum too
The clever Germans end the museum with a showroom of their
latest cars. I can tell you that after seeing their greats from the
past, I was ready to sign up for anything as I sat in their latest SLK or new
C-class coupe.
My only reservation was that my family are dyed-in-the-wool MG, Triumph, Jag or BMW people (only my mum has gone
Mercedes).
The museum reminded me of the restless nature of
the clever German people. This reminded me of how
my own company, New House is always seeking improvement too, and believe it's important to keep presenting the very best in new design to the customer.
Subscribe to:
Comments (Atom)